Red Rentals Mexico Gets Top Results with the SCRATCH-RED 4K Digital Workflow
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Alex Olegnowicz founded Imarion (pronounced EE-mary-on) in 1995 on what he now refers to as low-end systems such as Adobe Premiere and Avid Xpress NT software. If the systems were low-end, however, the work Imarion produced was not. Successful projects enabled Olegnowicz to upgrade his systems and, by 1998, to add online editing to Imarions services. In 2003, Imarion added two Autodesk Smoke software system to its technology arsenal and, just last year, it brought in an Autodesk Lustre software systems to provide top-quality color correction and DI.
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SCRATCH is the Backbone of the Efe-x CINE 2k and RED ONE 4k Data Pipeline
Within eight years, Efe-x (Bogota, Colombia) has become the largest post production facility in Colombia. They re now building the needed infrastructure to produce films using the RED ONE 4k camera. As the backbone of the Efe-x digital pipeline, ASSIMILATE's SCRATCH Digital Process Solution has been a key factor in the company's growth.
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In addition to currently completing construction of two facilities in Southern California, PostWorks has already implemented a unique workflow which prominently features Autodesk® Smoke® and Autodesk® Lustre® software. The new company hopes to bring this highly specialized digital intermediate (DI) workflow process to a much broader spectrum of clientele. In what amounts to a post company actively leveraging data-centric and future-looking technologies, PostWorks Los Angeles is also bringing tomorrow's techniques to film and television clients.
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HD Production for ESPN`s new miniseries goes Mobile
Digital production is rapidly gaining ground in film and television production, expanding the options for projects relying heavily on graphics, colorizing or other visual effects. In order to take full advantage of the benefits offered by the use of digital cameras and other cutting-edge technologies, producers need to have easy access to a flexible digital workflow capable of handling large data streams efficiently and cost-effectively.
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Paper Bag at Forefront of RED-SCRATCH Workflow
Paper Bag uses the latest in digital technology for its high-quality production, digital intermediate (DI) and post production projects. With a keen eye to the future of digital cinema, the RED ONE camera is now in use at Paper Bag. For DI and post production, they employ a SCRATCH-RED Workflow, using ASSIMILATE`s SCRATCH® Digital Process Solution.
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